Saturday, October 12, 2019
Enlightened by Toni Morrisons The Bluest Eye :: Bluest Eye Essays
      Enlightened by Toni Morrison's The Bluest Eye           Over the course of our study of the American novel, we have experienced a  kaleidoscope of components that help define it. We traveled back in time to  learn what kinds of novels were being written and how they were being written.  We were introduced to the likes of Harold Frederic's Theron Ware, Henry James's  Dr. Sloper and Catherine, and Nathaniel Hawthorne's Blithedale Romance. We saw,  through these novels and characters, how literature of the past affects  literature of today.           We also read novels from various regions of North America. We had a glimpse  of northern writers and their culture such as Alice Munro, and her stories of  Canada. We sampled Willa Cather who gave us a taste of the early southwest  through Father's Latour and Vaillant.           We read about different religious ideals, from Theron's Methodism to Father  Latour's Catholicism, to Hazel Mote's The Church of Christ without Christ, to  Jonah's (futuristic) Bokononism; each religion, in its own way, reflecting a  different aspect of American religious zeal. And we have heard from a number of  southern writers like O'Connor, Faulkner, and Porter. We begin, through  characters like Miranda and Anse, to glimpse a southern language and way of  living.            It seems only fitting now, that we be introduced to another element of the  American novel: ethnic culture. The addition of Toni Morrison's The Bluest Eye  is the perfect choice. Through the voices of her black characters, she reveals a  broad spectrum of black culture during the 1930's and 1940's.            We get a glimpse of the middle class through Claudia and her family, who  maintain a sense of dignity and pride. In the first chapter, she tells us,  "Being a minority in both caste and class, we moved about anyway on the hem of  life, struggling to consolidate our weaknesses and hang on, or to creep singly  up into the major folds of the garment" (17).            We encounter the desperately poor through the Breedlove family, Cholly,  Pauline, and Pecola, each choosing a different means to escape the harsh reality  of their lives. For example, Pecola dreams of having blue eyes, then she would  be accepted, loved, respected, and beautiful.  					    
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